Player 1
Borrow My Experience For An Hour
Get unstuck, move faster.
One hour, producer to producer.
Better taste. Better decisions. Less guessing.
Bring the embarrassing questions — those are usually the whole problem.
Nashville, TN•Producer•Mixer•Grammy Award Winner
GRAMMY
Winner
Recording Academy recognized.
5B+
Streams
And counting across the catalog.
MULTI×
Platinum
Across genres, indies & majors.
World 1-1 — Game Over?
Are you stuck?
Most producers don't need more plugins, more sample packs, or another YouTube tutorial.
They need clarity.
You might be stuck if
- ▸Your beats sound ok, but not professional.
- ▸You keep adding sounds but the record somehow gets worse.
- ▸You watch 1000 tutorials but aren't sure what to actually practice.
- ▸You know something is wrong, but can't identify what.
- ▸You second-guess every creative decision.
- ▸You're improving, but not as fast as you'd like.
The goal isn't more information.
The goal is knowing what to do next.
World 1-2 — The Hour
One hour. Producer to producer.
One hour with a producer who's spent 20+ years making records, developing artists, mixing songs, landing placements, and solving the problems producers run into every day.
This isn't a generic beat review.
Bring your beats.
Bring your mixes.
Bring your questions.
Production. Sound selection. Arrangement. Mixing. Career direction. Placements. Workflow.
My job is simple:
Help you make better decisions faster.
Bring
- → A beat you're stuck on
- → A reference you can't crack
- → A bounce, session, or playlist
- → Or just a question
Don't bring
- → More plugins
- → Another YouTube tutorial
- → Excuses
Bonus — Power up
What you'll leave with.
- ▸A clear understanding of what's holding your music back
- ▸Specific changes you can make immediately
- ▸Better tools for evaluating your own work
- ▸Honest feedback from someone who's been doing this for 20+ years
Stop guessing.
Start moving forward.
World 1-3 — Ask me anything
Stuff you can ask me.
- Why do my sounds suck?
- How do I find better sound selection?
- Where do I even start?
- How do I learn taste?
- Why do my drums feel cheap?
- Why does my beat feel flat?
- How do I stop overproducing?
- How do I reference without copying?
- Why does my mix feel small?
- How do I know what to take out?
- How do I make decisions faster?
World 1-4 — The Receipts
Skimmy's Discography
A selection of records I've helped bring to life. Tap a cover for credits.
Avicii
The Nights +
Flo Milli
BGC +
Mary J. Blige
Take Me As I Am +
DJ Khaled, Mary J. Blige, Fabolous, Jadakiss
It Ain't Over Til It's Over +
Rita Ora
New Look +
Oliver Cronin
Burning House +
Oliver Cronin
Hello Goodbye +
Illenium, Call Me Karizma
God Damnit (with Call Me Karizma) +
Ludacris, Flo Rida
I Know You Got A Man +
Lupe Fiasco, Jill Scott
Daydreamin' (feat. Jill Scott) +
Thirty Seconds To Mars
Dangerous Night +
Jawsh 685, Lauv, Tyga
Sweet & Sour (feat. Lauv & Tyga) +
Also mixed
Bonus stage.
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Continue?
Four steps. No guessing.
01
Request the hour
Tell me what you want to work on.
02
I review it
I personally read every application.
03
We schedule
If I think I can help, I'll reach out and we find a time.
04
We break it down
One hour. Producer to producer. No fluff.
Final stage — Request the hour
Request the hour.
$595 • 60 Minutes